Drama

Fresh off the triumph of solving her first case, Enola Holmes (Millie Bobby Brown) follows in the footsteps of her famous brother, Sherlock (Henry Cavill), and opens her own agency - only to find that life as a female detective-for-hire isn't as easy as it seems. Resigned to accepting the cold realities of adulthood, she is about to close shop when a penniless matchstick girl offers Enola her first official job: to find her missing sister. But this case proves to be far more puzzling than expected, as Enola is thrown into a dangerous new world - from London's sinister factories and colorful music halls, to the highest echelons of society and 221B Baker Street itself. As the sparks of a deadly conspiracy ignite, Enola must call upon the help of friends - and Sherlock himself - to unravel her mystery. The game, it seems, has found its feet again.

The Targaryen dynasty is at the absolute apex of its power, with more than 15 dragons under their yoke. Most empires crumble from such heights. In the case of the Targaryens, their slow fall begins when King Viserys breaks with a century of tradition by naming his daughter Rhaenyra heir to the Iron Throne. But when Viserys later fathers a son, the court is shocked when Rhaenyra retains her status as his heir, and seeds of division sow friction across the realm.

Ultraman isn’t the only alien interested in Earth, though. Japan is soon visited by a number of species who come promising peace but act pretty darn suspicious. (A word to the wise, aliens: Trench coats are a dead giveaway you’re up to no good.) It’s up to Kaminaga/Ultraman to fend off these baddies with the help of the SSSP, including his plucky partner Hiroko Asami (Masami Nagasawa), all while learning what makes humanity so special.

This epic drama is set thousands of years before the events of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings, and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien’s pen threatened to cover all the world in darkness. Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth. From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone.

After losing her virginity, Isabelle takes up a secret life as a call girl, meeting her clients for hotel-room trysts. Throughout, she remains curiously aloof, showing little interest in the encounters themselves or the money she makes.

Emboldened by the return of Lord Voldemort, the Death Eaters are wreaking havoc in both the Muggle and wizarding worlds and Hogwarts is no longer the safe haven it once was. Harry suspects that new dangers may lie within the castle, but Dumbledore is more intent upon preparing him for the final battle that he knows is fast approaching. He needs Harry to help him uncover a vital key to unlocking Voldemort's defenses critical information known only to Hogwarts' former Potions Professor, Horace Slughorn. With that in mind, Dumbledore manipulates his old colleague into returning to his previous post with promises of more money, a bigger office and the chance to teach the famous Harry Potter.

The found footage phenomenon sneaks into the superhero genre with “Chronicle,” an uneasy cross between a Morrissey record and a middling “X-Men” sequel. Chasing a trend with a slightly different goal in mind, director Josh Trank appears to be more interested in wowing his audience than selling a consistent tale of teenagers flirting with ultimate power. Little of the movie’s mysteries are developed, the acting is distractingly obvious, and the teen angst formula is laid on thick as tar, yet when the feature gets mean, it suddenly gets interesting. A visual effects demo reel in search of dramatic impact, “Chronicle” is frustratingly mediocre, absent a visionary filmmaker skilled at extracting a sense of peril from the material.

Sinister characters converge around a young man devoted to protecting those he loves in a postwar backwoods town teeming with corruption and brutality.

England, 1884 - a world on the brink of change. On the morning of her 16th birthday, Enola Holmes (Millie Bobby Brown) wakes to find that her mother (Helena Bonham Carter) has disappeared, leaving behind an odd assortment of gifts but no apparent clue as to where she's gone or why. After a free-spirited childhood, Enola suddenly finds herself under the care of her brothers Sherlock (Henry Cavill) and Mycroft (Sam Claflin), both set on sending her away to a finishing school for "proper" young ladies. Refusing to follow their wishes, Enola escapes to search for her mother in London. But when her journey finds her entangled in a mystery surrounding a young runaway Lord (Louis Partridge), Enola becomes a super-sleuth in her own right, outwitting her famous brother as she unravels a conspiracy that threatens to set back the course of history.

Margaret finds herself in the glittering labyrinth of Tokyo by night and as a respected English teacher of a Japanese flight attendant academy by day. With little life direction, She searches for meaning with fellow ex-pat Ines in a Japanese dive bar, drinking to remember to forget and losing herself in love hotel encounters with men who satisfy a fleeting craving. When she crosses paths with Kazu, a dashing yakuza, she falls in love with him despite the danger and tradition that hinders their chances of being together. We follow her through the dark and light of love and what it means to find oneself abroad with a youthful abandon.