Alice kembali ke dunia Underland dengan melewati cermin ajaib, dan menemukan Mad Hatter dalam keadaan sakit parah. Untuk dapat menyembuhkannya, Alice harus melakukan perjalanan waktu. Namun petualangannya dihalangi oleh Time dan Red Queen yang ingin membalas dendam terhadap semua yang terlibat atas kejadian sebelumnya.
Review Alice Through The Looking Glass
Review Alice Through The Looking Glass
2010’s “Alice in Wonderland” did a fine job defining Tim Burton’s recent directorial career, offering a dour, absurdly plasticized, green-screen-addicted adventure inspired by the beloved Lewis Carroll novel. It was a feeble film, highlighting Burton’s laziness behind the camera and revealing a shelf life for his quirk. But it made a billion dollars, so any possible follow-up wasn’t going to take the apology route. “Alice Through the Looking Glass” took its time to reach screens, bucking current trends of rapid sequelizations, and it’s about time as well, becoming both a prequel and continuation of “Alice in Wonderland” as the heroine zips around the years to save Underland. Burton has been replaced by James Bobin, but “Alice Through the Looking Glass” isn’t all that different a picture. Perhaps it’s a bit brighter, less violent, and more contained, and the effort does improve on the original movie, but a dearth of joy remains, returning to a realm in serious need of a practical set and some Prozac.
Spending three years touring the world as a sea captain, Alice (Mia Wasikowska) has finally returned to London, discovering that ex-fiancée Hamish (Leo Bill) is in control of her family’s property, ordering her to take a clerking job. Confused and angry, Alice finds escape through a magic mirror, returning to Underland to meet old friends, only to learn that the Mad Hatter (Johnny Depp) is near death, unable to process a recent discovery that his estranged family, previously thought killed by the jabberwocky, is alive. Tasked by the White Queen (Anne Hathaway) to save Underland, Alice visits Time (Sacha Baron Cohen, doing a Werner Herzog impression), a half-mechanical king of clockwork, requesting permission to use the chronosphere, a device used to travel through time. With her offer refused, Alice steals the device, trying to prevent the death of the Hatter’s family, only to discover a newfound understanding of the petulant Red Queen (Helena Bonham Carter), who teams with Time to imprison the human invader before she has a chance to restore order.
It’s difficult to put all the blame for the picture’s lethargy on Bobin, who’s clearly been ordered to revive the Burton aesthetic, only for this round of Underland exploration, the quest has been noticeably brightened. The director of the “The Muppets” and the cruelly unappreciated “Muppets Most Wanted,” Bobin knows his way around lighthearted fun, and one can sense the helmer trying to infuse “Alice Through the Looking Glass” with a livelier spirit, ordering lavish costumes and more pronounced make-up designs for the storybook realm, while the sequel is faster to take off, opening with a ship battle that displays Alice’s aquatic empowerment in full (she’s surrounded by pirates and men who question her orders). “Alice Through the Looking Glass” has the right idea for at least the first act, showcasing livelier work from Wasikowska and establishing the beginnings of a journey that promises to take Alice on a “Back to the Future”-style romp, visiting the early years of Mad Hatter to prevent future disaster, also coming across initial antagonisms between the Red and White Queen, with the mismanagement of tart crumbs and false accusations the origin of their destructive estrangement.
Source: http://www.blu-ray.com/Alice-Through-the-Looking-Glass/286609/#Preview
Screenshoot
Screenshoot

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Trailer
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